Claudia Larcher's works generate space and time continuums displaced from reality. In her videos and collages Larcher reconstructs the wandering of the look over real architectural surfaces whose spatial connection will break down, however, finally, in itself.
In her videos this appears mostly not immediately, but only bit by bit, first at short moments only. For instance if a metal railing to which a camera is "attached", suddenly ends in Nothing; later when edges turn into lines and rooms become abstract flickering pictures, or if single elements start to split up like in a kaleidoscope. A parallel controlled soundtrack reminding of Noise (Constantin Popp) fulfills the emptiness and apathy of the pictures with the most different evocations.
Works like "Empty Rooms" or "Baumeister" repeat the structure and movement of certain existing architectures, "Baumeister" for example refers to the broadcasting centre Dornbirn by Gustav Peichl, which is based on the form of a Nautilus snail.